Directors- Stage, Motion Pictures, Television, and Radio
Interpret script, conduct rehearsals, and direct activities of cast and technical crew for stage, motion pictures, television, or radio programs.
How AI Impacts Each Task
25 tasks analyzed
Supervise and coordinate the work of camera, lighting, design, and sound crew members.
Plan details such as framing, composition, camera movement, sound, and actor movement for each shot or scene.
Direct live broadcasts, films and recordings, or non-broadcast programming for public entertainment or education.
Confer with technical directors, managers, crew members, and writers to discuss details of production, such as photography, script, music, sets, and costumes.
Study and research scripts to determine how they should be directed.
Communicate to actors the approach, characterization, and movement needed for each scene in such a way that rehearsals and takes are minimized.
Compile cue words and phrases and cue announcers, cast members, and technicians during performances.
Collaborate with producers to hire crew members, such as art directors, cinematographers, and costumer designers.
Collaborate with film and sound editors during the post-production process as films are edited and soundtracks are added.
Establish pace of programs and sequences of scenes according to time requirements and cast and set accessibility.
Create graphics for television broadcasts.
Identify and approve equipment and elements required for productions, such as scenery, lights, props, costumes, choreography, and music.
Choose settings and locations for films and determine how scenes will be shot in these settings.
Consult with writers, producers, or actors about script changes or "workshop" scripts, through rehearsal with writers and actors to create final drafts.
Cut and edit film or tape to integrate component parts into desired sequences.
Interpret stage-set diagrams to determine stage layouts and supervise placement of equipment and scenery.
Confer with stage managers to arrange schedules for rehearsals, costume fittings, and sound or light development.
Select plays or scripts for production and determine how material should be interpreted and performed.
Hold auditions for parts or negotiate contracts with actors determined suitable for specific roles, working in conjunction with producers.
Compile scripts, program notes, and other material related to productions.
Review film daily to check on work in progress and to plan for future filming.
Create and approve storyboards in conjunction with art directors.
Promote and market productions by giving interviews, participating in talk shows, and making other public appearances.
Perform producers' duties, such as securing financial backing, establishing and administering budgets, and recruiting cast and crew.
Introduce plays and meet with audiences after shows to explain how the play was interpreted.
| Task | AI Capability | Risk | Time % | |
|---|---|---|---|---|
| Supervise and coordinate the work of camera, lighting, design, and sound crew members. | 5Estimated | 17.0% | 8% | |
| Plan details such as framing, composition, camera movement, sound, and actor movement for each shot or scene. | 58.53Observed | 50.4% | 8% | |
| Direct live broadcasts, films and recordings, or non-broadcast programming for public entertainment or education. | 62.75Observed | 40.1% | 8% | |
| Confer with technical directors, managers, crew members, and writers to discuss details of production, such as photography, script, music, sets, and costumes. | 61.62Observed | 39.7% | 6% | |
| Study and research scripts to determine how they should be directed. | 61.1Observed | 51.4% | 5% | |
| Communicate to actors the approach, characterization, and movement needed for each scene in such a way that rehearsals and takes are minimized. | 63.12Observed | 40.3% | 6% | |
| Compile cue words and phrases and cue announcers, cast members, and technicians during performances. | 57.65Observed | 72.3% | 4% | |
| Collaborate with producers to hire crew members, such as art directors, cinematographers, and costumer designers. | 30Estimated | 27.0% | 3% | |
| Collaborate with film and sound editors during the post-production process as films are edited and soundtracks are added. | 35Estimated | 29.0% | 4% | |
| Establish pace of programs and sequences of scenes according to time requirements and cast and set accessibility. | 60Estimated | 51.0% | 4% | |
| Create graphics for television broadcasts. | 85Estimated | 61.0% | 2% | |
| Identify and approve equipment and elements required for productions, such as scenery, lights, props, costumes, choreography, and music. | 50Estimated | 47.0% | 4% | |
| Choose settings and locations for films and determine how scenes will be shot in these settings. | 60Estimated | 51.0% | 4% | |
| Consult with writers, producers, or actors about script changes or "workshop" scripts, through rehearsal with writers and actors to create final drafts. | 56.97Observed | 37.8% | 4% | |
| Cut and edit film or tape to integrate component parts into desired sequences. | 58.33Observed | 50.3% | 3% | |
| Interpret stage-set diagrams to determine stage layouts and supervise placement of equipment and scenery. | 40Estimated | 43.0% | 3% | |
| Confer with stage managers to arrange schedules for rehearsals, costume fittings, and sound or light development. | 72Estimated | 78.0% | 3% | |
| Select plays or scripts for production and determine how material should be interpreted and performed. | 65Observed | 53.0% | 3% | |
| Hold auditions for parts or negotiate contracts with actors determined suitable for specific roles, working in conjunction with producers. | 20Estimated | 23.0% | 3% | |
| Compile scripts, program notes, and other material related to productions. | 51.38Observed | 69.8% | 3% | |
| Review film daily to check on work in progress and to plan for future filming. | 60Estimated | 51.0% | 3% | |
| Create and approve storyboards in conjunction with art directors. | 80Estimated | 59.0% | 3% | |
| Promote and market productions by giving interviews, participating in talk shows, and making other public appearances. | 5Estimated | 17.0% | 2% | |
| Perform producers' duties, such as securing financial backing, establishing and administering budgets, and recruiting cast and crew. | 55Estimated | 49.0% | 2% | |
| Introduce plays and meet with audiences after shows to explain how the play was interpreted. | 5Estimated | 17.0% | 2% |
Skill Impact Analysis
AI-Vulnerable Skills (6)
High reliance on Reading Comprehension is a risk area. Consider developing complementary AI-resistant skills to maintain value.
High reliance on Information Ordering is a risk area. Consider developing complementary AI-resistant skills to maintain value.
Memorization is AI-vulnerable but has moderate importance in this role. AI tools may handle this; focus on higher-value skills.
Mathematics is AI-vulnerable but has moderate importance in this role. AI tools may handle this; focus on higher-value skills.
Mathematics is AI-vulnerable but has moderate importance in this role. AI tools may handle this; focus on higher-value skills.
Programming is AI-vulnerable but has moderate importance in this role. AI tools may handle this; focus on higher-value skills.
AI-Resistant Skills (11)
Leadership is AI-resistant — strengthening this skill provides durable career protection.
Adaptability/Flexibility is AI-resistant — strengthening this skill provides durable career protection.
Coordination is AI-resistant — strengthening this skill provides durable career protection.
Social Perceptiveness is AI-resistant — strengthening this skill provides durable career protection.
Complex Problem Solving is AI-resistant — strengthening this skill provides durable career protection.
Instructing is AI-resistant — strengthening this skill provides durable career protection.
Persuasion is AI-resistant — strengthening this skill provides durable career protection.
Negotiation is AI-resistant — strengthening this skill provides durable career protection.
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Score History
Risk score over 2 scoring runs
overall change
Education & Training
Percentage of workers at each education and training level
Education Level
Prior Experience Needed
Work experience required to enter this job
Training Provided After Hiring
How long it typically takes to learn on the job
Related News
Recent articles about AI affecting this occupation

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Despite industry fears, current generative AI video models remain incapable of producing long-form, monetizable entertainment. The technology is currently limited to generating short clips rather than replacing film crews.

Jason Bateman Weighs In on AI's Impact on Hollywood Production
The actor-director discussed how artificial intelligence might reshape the entertainment industry as his own production ambitions grow. He joins a growing list of Hollywood figures grappling with the technology's potential to alter creative workflows.

Director Ron Howard Predicts Filmmakers Will Embrace AI Tools
The veteran director argued that creative professionals will ultimately demand access to artificial intelligence rather than reject it. He believes legendary creators would have viewed the technology as a powerful new instrument for storytelling.

Hollywood directors reach 4-year deal addressing AI and streaming
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Solo Filmmaker Uses 3,200 AI Generations to Produce 'Unmakeable' Movie
One creator spent 242 hours using generative AI to produce 'Catacombs,' a project previously deemed impossible without a full studio. The feat demonstrates how AI tools are drastically lowering production barriers and enabling solo workers to bypass traditional film crews.
Last scored March 14, 2026 · Based on BLS employment data and O*NET task analysis