Set and Exhibit Designers
Design special exhibits and movie, television, and theater sets. May study scripts, confer with directors, and conduct research to determine appropriate architectural styles.
How AI Impacts Each Task
27 tasks analyzed
Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed.
Develop set designs based on evaluation of scripts, budgets, research information, and available locations.
Read scripts in order to determine location, set, and design requirements.
Attend rehearsals and production meetings in order to obtain and share information related to sets.
Confer with clients and staff in order to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, and/or promotion requirements.
Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts.
Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects and/or lighting.
Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information as necessary.
Select set props such as furniture, pictures, lamps, and rugs.
Inspect installed exhibits for conformance to specifications, and satisfactory operation of special effects components.
Assign staff to complete design ideas and prepare sketches, illustrations, and detailed drawings of sets, or graphics and animation.
Examine objects to be included in exhibits in order to plan where and how to display them.
Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles.
Direct and coordinate construction, erection, or decoration activities in order to ensure that sets or exhibits meet design, budget, and schedule requirements.
Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions.
Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects.
Plan for location-specific issues such as space limitations, traffic flow patterns, and safety concerns.
Estimate set- or exhibit-related costs including materials, construction, and rental of props or locations.
Select and purchase lumber and hardware necessary for set construction.
Coordinate the removal of sets, props, and exhibits after productions or events are complete.
Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use.
Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits.
Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations such as streets and fairgrounds.
Confer with conservators in order to determine how to handle an exhibit's environmental aspects, such as lighting, temperature, and humidity, so that objects will be protected and exhibits will be enhanced.
Incorporate security systems into exhibit layouts.
Arrange for outside contractors to construct exhibit structures.
Provide supportive materials for exhibits and displays, such as press kits and advertising, posters, brochures, catalogues, and invitations and publicity notices.
| Task | AI Capability | Risk | Time % | |
|---|---|---|---|---|
| Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed. | 60Estimated | 51.0% | 8% | |
| Develop set designs based on evaluation of scripts, budgets, research information, and available locations. | 65Estimated | 53.0% | 8% | |
| Read scripts in order to determine location, set, and design requirements. | 56.83Observed | 49.7% | 5% | |
| Attend rehearsals and production meetings in order to obtain and share information related to sets. | 20Estimated | 23.0% | 4% | |
| Confer with clients and staff in order to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, and/or promotion requirements. | 30Estimated | 27.0% | 5% | |
| Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts. | 25Estimated | 25.0% | 5% | |
| Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects and/or lighting. | 40Observed | 43.0% | 6% | |
| Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information as necessary. | 80Estimated | 59.0% | 4% | |
| Select set props such as furniture, pictures, lamps, and rugs. | 60Estimated | 51.0% | 4% | |
| Inspect installed exhibits for conformance to specifications, and satisfactory operation of special effects components. | 30Estimated | 39.0% | 3% | |
| Assign staff to complete design ideas and prepare sketches, illustrations, and detailed drawings of sets, or graphics and animation. | 30Estimated | 27.0% | 3% | |
| Examine objects to be included in exhibits in order to plan where and how to display them. | 63.42Observed | 52.4% | 3% | |
| Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles. | 25Estimated | 37.0% | 3% | |
| Direct and coordinate construction, erection, or decoration activities in order to ensure that sets or exhibits meet design, budget, and schedule requirements. | 55.55Observed | 37.2% | 5% | |
| Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions. | 55Estimated | 49.0% | 4% | |
| Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects. | 10Estimated | 13.0% | 4% | |
| Plan for location-specific issues such as space limitations, traffic flow patterns, and safety concerns. | 60Estimated | 51.0% | 3% | |
| Estimate set- or exhibit-related costs including materials, construction, and rental of props or locations. | 87Estimated | 84.0% | 3% | |
| Select and purchase lumber and hardware necessary for set construction. | 56.7Observed | 71.9% | 2% | |
| Coordinate the removal of sets, props, and exhibits after productions or events are complete. | 72Estimated | 78.0% | 2% | |
| Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use. | 77Estimated | 80.0% | 2% | |
| Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits. | 87Estimated | 84.0% | 2% | |
| Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations such as streets and fairgrounds. | 66.57Observed | 35.6% | 3% | |
| Confer with conservators in order to determine how to handle an exhibit's environmental aspects, such as lighting, temperature, and humidity, so that objects will be protected and exhibits will be enhanced. | 20Estimated | 23.0% | 2% | |
| Incorporate security systems into exhibit layouts. | 87Estimated | 84.0% | 2% | |
| Arrange for outside contractors to construct exhibit structures. | 82Estimated | 82.0% | 2% | |
| Provide supportive materials for exhibits and displays, such as press kits and advertising, posters, brochures, catalogues, and invitations and publicity notices. | 66.67Observed | 75.9% | 2% |
Skill Impact Analysis
AI-Vulnerable Skills (6)
High reliance on Reading Comprehension is a risk area. Consider developing complementary AI-resistant skills to maintain value.
High reliance on Information Ordering is a risk area. Consider developing complementary AI-resistant skills to maintain value.
High reliance on Mathematics is a risk area. Consider developing complementary AI-resistant skills to maintain value.
High reliance on Mathematics is a risk area. Consider developing complementary AI-resistant skills to maintain value.
Memorization is AI-vulnerable but has moderate importance in this role. AI tools may handle this; focus on higher-value skills.
Programming is AI-vulnerable but has moderate importance in this role. AI tools may handle this; focus on higher-value skills.
AI-Resistant Skills (11)
Adaptability/Flexibility is AI-resistant — strengthening this skill provides durable career protection.
Leadership is AI-resistant — strengthening this skill provides durable career protection.
Coordination is AI-resistant — strengthening this skill provides durable career protection.
Social Perceptiveness is AI-resistant — strengthening this skill provides durable career protection.
Complex Problem Solving is AI-resistant — strengthening this skill provides durable career protection.
Service Orientation is AI-resistant — strengthening this skill provides durable career protection.
Manual Dexterity is AI-resistant — strengthening this skill provides durable career protection.
Persuasion is AI-resistant — strengthening this skill provides durable career protection.
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Score History
Risk score over 2 scoring runs
overall change
Education & Training
Percentage of workers at each education and training level
Education Level
Prior Experience Needed
Work experience required to enter this job
Training Provided After Hiring
How long it typically takes to learn on the job
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Last scored March 14, 2026 · Based on BLS employment data and O*NET task analysis